During a recent interview with Larry King, Mac Miller stated that GO:OD AM -- his major label debut under Warner Bros. -- was intended to be a departure from the 'darker and sad' vibes of his previous record, Watching Movies with the Sound Off.
GOD:DAMN. Mac was right on the money.
GO:OD AM is not only less melancholic and more vibrant than Mac Miller's preceding album, but also the most complete and multifaceted project he's dropped in his young career. The P-Town native makes a complete 180 from the slowed-down, psychedelic steez of Watching Movies and instead produces an upbeat and inspirational sound rooted in his struggles with drug use and depression. Miller does have some fun, carefree tracks on this record, but he also showcases a vast array of musical influences and a newfound maturity that wasn't present on his first two releases.
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This grown-up version of Mac Miller is on full display on 'Doors,' the Tyler, The Creator-produced intro where his lavish, cathedral-reverb'd harmonies assure listeners he's 'in a better place.' The next track, 'Brand Name,' stays true to the album title, transitioning from the sound of an alarm clock to a groggy Mac Miller yawning before he rips the soulful trap number. Miller masterfully flaunts a couple of different flows on this beat, which mirrors his dynamic emceemanship with some twists of its own. (That sax at the end, though!).
Discover free music downloads & streaming from thousands of independent artists. Explore new songs every day, create your own playlists, and share your. GO:OD AM's final chunk of tracks reverts back to the introduction, as Miller further elaborates on his vices and growth as an artist and human being. 'Ascension' documents his rise from the. https://treeandroid593.weebly.com/how-to-cancel-a-download-on-steam.html. Mac Miller GO:OD AM Album Tracklist. OD AM Leaked album Download GO:OD AM Leaked Free Download Mac Miller - 2015 GO:OD AM Album Leak Download Mac Miller.
After a customary Mac Miller-TDE collaboration featuring Ab-Soul ('Two Matches'), Miller then gasses on '100 Grandkids,' the lead single that abruptly shifts from quirky goofball rap to Mac spitting fuego over a nasty trap banger. In what still stands as arguably the dopest track on GO:OD AM, Mac Miller jokes about his mother's longing for grandchildren and the feeling he had when his bank account hit five zeros for the first time.
Another standout track off GO:OD AM is 'Full Circle / God Speed,' which marks the beginning of the album's introspective homestretch. The production on this joint is extra avant-garde -- an O.K. Corral saloon piano accompanied by some lush background vocals, almost as if Ennio Morricone dipped the song in Spaghetti Western sauce. Mac Miller seamlessly plays the role of high plains drifter, in which he pulls off what could be the best Western-themed hip hop effort since Bone Thugs' 'Ghetto Cowboy.'
Of course, this is merely the 'Full Circle' portion of track 11; 'God Speed' features a more soulful instrumental, marinated by a flurry of emotional rhymes. The juxtaposition of the two contradictory deliveries and differing concepts is a clever mashup.
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GO:OD AM's final chunk of tracks reverts back to the introduction, as Miller further elaborates on his vices and growth as an artist and human being. 'Ascension' documents his rise from the pitfalls of the rap game. Mac asks and answers a poignant question during the song's impassioned chorus: Jay critch bottom line download.
'What's between Heaven and Hell? Download game rise & fall civilizations at war. / A brand new me'
He follows this ascension with the appropriately named 'Jump,' the project's penultimate song that fluctuates between spacey trap and up-tempo EDM. Now that he's reached the edge of his wildest dreams, Mac is ready to jump; but it's a leap of faith, not an apathetic plummet to rock bottom. 'Jump's heavy subject matter and pulsating sound would have made for an epic crescendo, but instead 'The Festival' closes out the album. Unfortunately, 'The Festival' is quite underwhelming, though the Little Dragon feature is an interesting touch.
Overall, GO:OD AM is well-put-together and surely an upgrade from Watching Movies with the Sound Off and Blue Slide Park. That's not to say those projects weren't solid in their own right; but Mac Miller exhibits a control and consistency here that exemplifies his devotion to his craft. One downer -- other than the ho-hum finale -- is the inclusion of 2-3 party anthems that come out of nowhere and disrupt the album's momentum. Did Warner Bros. throw these in to attract mainstream appeal? Did Miller want to show he can still flex with the best of 'em? Either way, GO:OD AM is dope enough without the extra braggadocio bars piled on top.
Mac Miller does exceed expectations by opting to go a different route on 'Weekend' and 'ROS' -- two tracks where 2015-Mac's more polished and layered songwriting ability takes over. Instead of turning the former into mindless frat boy fodder and the latter into the proverbial twerk fest, he puts a fresh spin on both. The Donnie Trumpet-y horns and his chemistry with Miguel on 'Weekend' are flawless; and the luscious vocals, crispy snares and cathartic opening piano keys on 'ROS' deliver all kinds of crazy feels.
These two songs are microcosmic of the little details and visionary creative direction that make GO:OD AM a scrumptious addition to the Mac Miller catalog. Even after signing to WB, it's pleasing to see his creativity and mojo are well intact.
From start to finish, this is Mac Miller's most refined and well put-together project. He sounds like someone’s troubled little brother made good: from the album’s opening horns, you can sense that this is a victory lap of sorts, a homecoming.
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Who is Mac Miller? On Blue Slide Park, he was a childish 'frat rapper' who made dumb jokes about smoking weed and referred to the vagina as a 'cooter.' On the claustrophobic Watching Movies With the Sound Off, he was rapping in a pitched-down voice alongside Earl Sweatshirt and Ab-Soul about friends lost, drugs consumed, depression, and the trappings of success. And on the transparent, relaxed GO:OD AM, he sounds like someone’s troubled little brother made good: from the album’s opening horns, you can sense that this is a victory lap for Mac, a homecoming.
From start to finish, this is his most refined and well put-together project. Getting through the 16 tracks on Blue Slide Park was like an endurance test, and even the deeper and much-improved Watching Movies started to sound interchangeable before it ended. The beats on GO:OD AM have a New York, boom-bap feel, with lots of jazz samples and harder drums, and it’s both more varied and more upbeat, from the trap-sounding beats of 'When in Rome' or the Chief Keef-featuring 'Cut the Check' to love songs like 'ROS' or the Miguel collaboration 'The Weekend'. Miller said he recorded 400 songs for Watching, and sometimes you couldn’t help but wonder about the selection process ('Objects in the Mirror'?) but on GO:OD AM, he’s learned to self-edit.
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Sacred games episode download torrent. Visions across the americas 8th edition free download. Lyrically, Mac offers a music industry 'Scared Straight'. 'I’ve seen some motherfucking shit,' he warns on 'Two Matches'. The interlude before 'God Speed' includes a voicemail from his brother, checking in on him at a low point in his life, and later on in the song, he admits: 'White lines be numbing them dark times/ Them pills that I’m popping, I need to man up/ Admit it’s a problem, I need a wake up/ Before one morning, I don’t wake up.' It’s funny to hear a 23-year-old who just kicked his habit and could be considered a kid himself refer regretfully to 'all the kids doing drugs' on 'In the Bag', but Mac has enough of his sense of humor intact to keep the album from playing like a D.A.R.E. campaign on wax.
On 'God Speed', the album’s standout track, he pays tribute to the close friends in his Most Dope Family, especially his right hand man Q, and it’s genuinely touching. 'Everybody saying I need rehab/ So I’m speeding with a blindfold on/ It won’t be long before they watching me crash/ And they don’t wanna see that,' he raps, thanking the people that got him through the toughest time of his life. He’s never preachy, though: He sounds refreshed and rejuvenated, like someone who has been going for daily walks, eating veggies and drinking fruit smoothies every day.
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Many songs here reference his status as a white rapper, signaling his awareness of the rap game’s perception of him: 'I’m a white rapper/ They always call me shady,' he says on 'Brand Name', just a few minutes into the album. 'I know niggas think you white and you not about to go in with these bars,' chimes in Domo Genesis on 'In the Bag'. There’s a kind of authenticity to him that has been there since the beginning, if you look for it: He doesn’t rap about breaking the law, because he’s not about that life. He’s a corny white rapper (meant as a compliment) who loves his family, friends, and hometown. We might not learn a lot of specifics about him, but there’s a lot of honesty in his music if you look for it.
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